Live version | Studio version (just the differences) | |
---|---|---|
Recordings | Imperfect + Perfect | |
Mics | Live | Player, Internal, Hammer, Close, Room |
Velocity layers | 22 layers | |
Separate pedal down Samples | 22 layers | |
Performance | Without dropouts and all features playable with the audio interface set to 128 samples (with recommended hardware) | |
Pedal modes | Half-pedal + Re-Pedaling | |
Release Samples | 22 layers + 22 layers adaptive staccato | |
Sample processing | Mixed and AI-optimised for a natural piano sound in the player's sitting position (balanced spectrum, removed resonances, increased warmth and clarity) | unprocessed high-quality recordings |
Sympathetic Resonance | Sample-based | |
Size | lossless FLAC compression | |
Velocity Curve |
Precisely measured presets for popular devices (natural touch with wide dynamic range, up to Δ 55dB) |
|
Round Robins | 2x 22 layers | |
Silent key samples | ||
Noises | Pedals + Mechanics (optional) | |
FX Samples | ||
Una Corda Samples | 22 layers | |
Repetition Strike Samples | 22 layers | |
Sostenuto pedal | ||
Tuning | Transpose + Scala presets (Equal Temperament, Well-Tempered, ...) + Tuning presets (International 440, European 442, ...) | |
Reverb | Sforzando Player presets | |
Effects | ||
Formats | Free Plogue sforzando player (SFZ, open standard, free as in free me from proprietary formats) | |
Graphical user interface | Sforzando standard UI (in order to be able to create a fancy user interface, Plogue would first have to accept the Musical Arts School as an OEM partner) |